FILE - Chris Martin of Coldplay performs at Metlife Stadium on Aug. 1, 2017, in East Rutherford, N.J. Coldplay's latest album, “Music of the Spheres,” releases Oct. 15. (Photo by Scott Roth/Invision/AP, File)

Coldplay get galactic with airy album ‘Music of the Spheres’

Coldplay get galactic with airy album ‘Music of the Spheres’

NEW YORK (AP) — The last time Coldplay put out an album, it was like a warm embrace of Earth. This time, the British foursome has gone bigger — cosmically bigger.

“We’re looking upwards and outwards and trying to find answers, and I think maybe trying to find some perspective,” says drummer Will Champion.

Music of the Spheres is a spacy 12-track collection with waves of synth and airy melodies. The track Infinity Sign sounds like it was created inside a starburst and Biutyful is a hit of ecstasy in musical form. This is an album that should be playing as astronauts gather on a slowly spinning space station for a galactic rave.

“It is a bit grander in its sound,” says lead singer Chris Martin. “The songs come first, but the picture frame of the title of Music of the Spheres sort of easily said which songs might fit within it. But you’re always at the mercy of what what songs decide to show up.”

Guitarist Jonny Buckland uses a fishing analogy: “The concept kind of builds the net, do you know what I mean? And then the net catches the type of fish that it wants to.”

The seeds to the new album were sown years ago, when the British band was finishing up their tour for A Head Full of Dreams. The pandemic scrambled their plans, leading to their last album, Everyday Life, a dense and complex work with words spoken or sung in Arabic, Spanish, Zulu and Igbo. It was as introspective about humanity as the new one is lofty.

Everyday Life was about making the big questions personal. And this one is about making the personal things into the big questions,” says Champion. “You know, ‘What are we all doing here and what’s the purpose of our band and why are we all here?’”

This time, the band teamed up with super-producer Max Martin, who they credit with a less-is-more approach. He helped the songs breathe for a band known for rich orchestrations.

“We historically as a band tend to fill space,” says Champion. “We paint with lots of layers, big thick strings and synths. And one of the reasons that I think we all felt such a relief with working with Max is that he is very conscious of not filling too many gaps.”

Adds bassist Guy Berryman: “You’re not going to make a song sound bigger and more impressive by adding another layer of sound and then another layer of sound. It’s like when you mix too many colours together, you always end up with brown.”

Five of the album’s 12 songs use emojis as titles and it has what every successful album needs these days — namely, a collaboration with BTS (the tune My Universe, which has already topped the Billboard Hot 100 songs chart). There’s also the breakup song Let Somebody Go — with Selena Gomez — that is forgiving and loving.

Martin kept it a family affair, with writing credit on the Gomez song from daughter Apple Martin, who also supplies the intro to Higher Power. Son Moses Martin is credited with chorus vocals on Humankind.

“Apple gave me this amazing chord that I’d never thought of. So she’s on there,” Martin says. And he may be biased but he considers Moses a very talented singer: “So I often ask him to just come and make choruses sound better.”

The album ends with the 10-minute-plus Coloratura, a multi-suite voyage into the cosmos that’s a kind of flex from the band and represents a departure.

“That was towards the end of the recording of this album, and I think Max Martin had given us a lot of confidence.”


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