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Domee Shi on what ‘Turning Red’ Oscar nomination means for representation in film

Hours after learning she had snagged an Oscar nomination for best-animated feature, stunned Toronto filmmaker Domee Shi said the nod offered welcome “validation” that stories led by diverse characters can succeed.

Hours after learning she had snagged an Oscar nomination for best-animated feature, stunned Toronto filmmaker Domee Shi said the nod offered welcome “validation” that stories led by diverse characters can succeed.

The Pixar writer-director spotlights the coming-of-age anxiety of a 13-year-old Chinese-Canadian girl in “Turning Red,” and is among a select group of Canadians up for Oscar glory including fellow Torontonian Sarah Polley who vies for best picture and best adapted screenplay with her drama “Women Talking.”

Shi credited a bit of superstition to snagging the second Oscar nomination of her career with her Toronto-set, music-driven feature, noting she purposefully ignored Tuesday’s announcement because she did the same when her animated short “Bao” earned a nomination and win in 2019.

“I didn’t want to jinx it so I decided to sleep through the nominations being read again and just rely on friends and family texting and calling me to know if we got the nomination or not,” Shi said in a video call from Oakland, Calif.

Shi said the honour was especially meaningful because “Turning Red” represented so many firsts in her career, including Pixar’s first film to be led by a predominantly female team and the first film to have an Asian Canadian female lead.

“There was a lot of pressure that I put on myself for this movie to not just succeed financially, but just to be recognized critically,” said Shi, who was nominated alongside Lindsey Collins, going on to describe what Oscar attention means to her.

“It’s that validation, but it’s also this evidence just to show big studios that look: You can make universal stories that star a diverse protagonist and feature a diverse creative leadership and these stories are universal stories.”

Polley’s ensemble drama “Women Talking” scored two nominations for its book-to-screen reimagining of Manitoba author Miriam Toews’ 2018 novel of the same name.

It centres on a group of Mennonite women who gather in a hayloft to discuss what to do when they discover several of the colony’s men have been sexually assaulting the community’s women and girls.

Polley tweeted her “expectations were low” for nomination day and that she was at a doctor’s appointment.

“I really didn’t plan this day right,” she tweeted with a photo of herself in a mask, in what appeared to be a waiting room.

She added that she was “very happy today and so grateful to the incredible collective of cast and crew who made ‘Women Talking.’”

Polley was previously nominated for best adapted screenplay for 2007’s “Away From Her,” about a long-married couple impacted by Alzheimer’s disease.

“Women Talking” competes for best picture against nine other films including “Avatar: The Way of Water,” from Ontario-raised filmmaker James Cameron.

Shi’s film, about a girl who discovers she has the ability to turn into a giant red panda, is up against fellow Sheridan College alum Chris Williams of Kitchener, Ont., who directed “Sea Beast,” an animated feature about a crew of sea monster hunters.

Calgary-based Wendy Tilby and Amanda Forbis are competing in the best animated short category with “The Flying Sailor.” It’s inspired by a maritime tale about a seaman who blasted into the air after two ships collided in the Halifax harbour during the First World War.

Meanwhile, Montreal’s Ina Fichman is among a team named in the best documentary feature race for their Canadian-U.S. film “Fire of Love.” The National Geographic project is about French volcanologists Katia and Maurice Krafft, who died in a volcanic explosion.

“Fire of Love” is up against “Navalny,” an investigation into the poisoning of Russian opposition leader Alexei Navalny, directed by Toronto’s Daniel Roher.

In the performance categories, actor Brendan Fraser continues to collect praise for his role in Darren Aronofsky’s “The Whale.”

Fraser, who went to high school in Toronto but was born in the United States to Canadian parents, is nominated for best actor for his turn as a reclusive, obese English teacher who attempts to reconnect with his estranged daughter.

Montreal makeup artist Adrien Morot scored a nomination for best makeup and hairstyling for his work on “The Whale,” along with Judy Chin and Anne Marie Bradley. He was previously nominated for best makeup in 2011 for “Barney’s Version.”

Also nominated in the technical categories is Bryan Litson who works out of the Vancouver office of the creative studio Framestore and is up for achievement in visual effects for his work on “Top Gun: Maverick” along with Ryan Tudhope, Seth Hill and Scott R. Fisher.

Winners will be announced March 12 at a ceremony hosted by late night comic Jimmy Kimmel and airing on CTV.

Byron Hackett

About the Author: Byron Hackett

I have been apart of the Red Deer Advocate Black Press Media team since 2017, starting as a sports reporter.
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